100 most powerful film techniques,Air Jordan 2013 Online Shop
current movie drama books, most focus on talking about the good stories. However, a good story is not all good script, but only one aspect of it. Another essential aspect is packaged with a cinematic narrative means story. Cinematic narrative of the film refers to the means to carry the narrative, which uses non-verbal means, techniques to express the characters and plot. To theater audiences are not taught to hear, is not willing to hear teach. Thus the film story ideas can not simply be achieved through language, but to implement by means of cinematic narrative to the script, and then to cinematic narrative means performance on the screen. Only by means of packaging cinematic narrative story in order to make a good story to become a good script, and then to lay the foundation for a good movie. So the book's introduction and translation and publication will make 'movies' of the problem is often overlooked due attention to the further professionalization of the movie plays and film-making to contribute to a good script, there two requirements: First, have a good story; second is to cinematic ground (cinematically) processing this story. For the first aspect, there are many excellent professional books will tell you how to do it. These books are generally covered the plot, structure (structure) and characters. These aspects are the basic points of any feature film. In fact, most of these books are equally applicable in fiction or drama, and therefore more precisely work on the theater level, rather than the writer. Anyway, these books meet the first requirement is a very important requirement. The second requirement is processed cinematic story. Without this step, the writer may have a good story, but whether achievements of an outstanding movie, it's hard to say with a novel or short story the movie is not the same. Movie introduces elements of skill screenwriter wants to use. Screenwriter ability to make the difference in this regard with other writers to distinguish. Many novice screenwriter aside the opportunities for innovation film media using dialogue and negative commentary. When screenwriter who abandoned the cinematic techniques, it means their movie a lot of things lost in the side of the road. A successful screenplay should become a blueprint for the film,1215玉林师院玻璃门事件以及我的反感, he would like to convey to the readers will see or hear something in the early movies, film theorists such as Lev. Kulixiaofu (Lev Kuleshov), Sergei on the screen. Eisenstein (Sergei
Eisenstein), Vsevolod. Pudovkin and other narrative has begun to study the potential of this new media. They recognize that the film offers two other media do not have the stuff: the screen and the action taken. In fact,Welcome to our Cheap Jordan Retro Shoes Online Shop we offer air jordan shoes jordan 2013 nike basketball shoes at big discount sale high quality and free shipping visit Sale for more details on the sale., this writer has brought to thousands of new potential cross evolved clip clip (crosscutting), so as to develop a series of popular theater scene, including the chase. Cameras can go outside. Exterior shot (exterior
shot) and the interior of the lens (interior
shot) can be juxtaposed. Screens around the world, was brought before the audience, and a fresh point of view as to render close-up. Each optical lens (lens) can be formed to screen specific visual quality, we can take to strengthen the story. Camera movement, in a series of measures such as arm (crane, lifts, cranes) and Steadicam (Steadicam) assistance later, brought a new world full of possibilities. It told us Westerners from left to right reading habits match. If you rent 50 movies produced by the studio,07华育十佳教师池军华, it is likely 'good' every time a painting from the left. When the 'good guys' from left to right movement, the movement of our eyes more comfortable. Subconsciously, we will make a positive judgment. Instead, the villain (antagonist) usually picturesque from the right screen. Because our eyes are not used to the movement from right to left, into the villain makes us feel uncomfortable. Screenwriter take full advantage of this, given that we are familiar villain uncomfortable. This subtle stimuli guide the audience to the characters as negative. And we put the black hat coding (code) into a negative symbol (symbol), we can also screen the negative direction coding. When these two forces against each other,14岁少年网, we would naturally expect to have some kind of collision (collision, conflict). Here is the film 'Strangers on a Train,' this way of example movie opening (opening
scene), a man under a taxi at the train station. Then cut a taxi to another, and another passenger to get off. They only took part below the knee. A dude wearing two-tone shoes, the other wearing a conservative lace-up shoes dude walking from right to left, put him in this direction with the negative image linked together, and conservative shoes walking from left to right, implying that he is Positive role (protagonist, the protagonist). Then they move cross-cut (inter? Juan cut). This makes them look in the process of conflict. But at the last moment, they all walked turnstiles. We feel disappointed. But after a moment our thoughts have been met. They really met. Under the table on the train, another one kicked shoes. Now we are nervous. Visually, the encounter has come to mean the conflict. This makes us more inclined we suspect, things will become serious very serious we focus (focus) in a taxi parking is decelerating. Remove the driver and less conspicuous luggage packed in sets of houses to the porter a tennis racket. Taxi passengers next camera down, we only see the lower part of the passenger's shoes and pants. Passengers wearing dark thick leather shoes and obviously conservative clothing. Pace forward, to the entrance of the train station and then painted. Then, by a chauffeur-driven limousine arrived,kids jordan, a rare air was taken out of a suitcase, wearing black and white sneakers down from the back seat passengers,brownsburgchatham.ca/images.asp?,Air Jordan 2013 Online Shop, as before, we see mainly shoes. Sports shoes and walked in the direction of crude leather shoes leave. Station Hall
camera followed the rough leather shoes and sports shoes across the hall,20011124省政府对非复查县专项督导检查的汇报, into the passenger channel. Here visitors will usually come and go, the speaker, will notify the train out of the station, and so on. Travellers channel
when coarse leather shoes and sports shoes into each aisle, sneakers Guairu a car door, thick leather shoes continue to walk in the image of luxury cars to meet men between the implied conflict will result after the cut to Hitchcock location of the lens. Hitchcock let us see the train tracks men were riding. At first we only see a linear track. Train 'normal travel' as conservative as the protagonist. Train at a constant pace,cantondegore.qc.ca/quest.asp?, ahead unimpeded (picture 1). Then as the train forward, we see the second track (picture 2). Train, just as the protagonist has a second optional sidewalk, which is a road away from the main road. This frame on the side of the sidewalk leading to the negative role previously occupied, the screen on the right. Here you can see 'film elements a' content. The last shot (picture 3) is confusing, is a maze of tracks mesh. This is our protagonist finds himself in selecting the sidewalk, into the villain in the world after the state in which the Z axis is the prospect of crossing that line views. Z bearing set the depth of the sense of space capabilities. Technically speaking, the depth of field is the focal length range of the Z-axis direction or length. The more wide angle lens, the longer the focal length. Usually two large depth of field can get:? Wide-angle lens (wide angle Juan
combination
lens) and can produce higher f-stop (f? Juan stop) wide-angle lens and lighting conditions to form a large depth of field is very interesting visual characteristics. Object along the Z-axis movement distance seems to be shortened. For example, when the movement of the characters from the foreground to the background, their height decline faster than expected. When they returned to the foreground when the lens is like flying in general,Hot Air Jordans For Sale Free Shipping Online, quickly becomes larger than we expected much faster eye. The telephoto lens (telephoto