The Rehearsal (Minerva Theatre, Chichester)
Verdict: Arch and dark
Rating:
‘Over-bred louts’ is the verdict of the leading man in Jean Anouilh’s play about French aristocrats staging a comedy for a summer ball.
All the same,
http://www.seduberry.com/fantversion.php?fotballdrakter/atletico-madrid-fotball-skills-hvitrdbla/135888/, I’m not sure I share the pleasure Anouilh takes in his collection of arch roués seeking to outdo each other in love and wit. It is Dangerous Liaisons with a less credible plot.
Although set in the 1950s,
http://braastadgaard.no/layout-styles.php?as-roma-c-40.html, it’s played in aristocratic 18th-century French costumes in the grounds of a sumptuous chateau. But the period mix causes confusion,
http://nuvomedia.dk/wp-searches.php?malaga-cf/traeneren/13-malaga-cf/malaga-cf/43-holdet, with characters threatening duels. In the 1950s? I don’t think so.
Katherine Kingsley as Hortensia in The Rehearsal by Jean Anouilh at the Minerva Theatre,
http://braastadgaard.no/fantversion.php?Barcelona-Hjemme-Drakt-2013-2014-Langermet-Toppen-Salg, Chichester
Gabrielle Dempsey as Lucille and Jamie Glover as The Count in The Rehearsal
When Jamie Glover’s Count says he’s fallen in love with the governess because she’s ‘gauche,
http://www.thepiha.com/wp-rss.php?brasil-2014/page/14/, poor and not beautiful’ I could suspend disbelief no longer.
Nonetheless,
http://endobiz.co.uk/wp-searches.php?Replica-fossil-watches-c-0_275.html, Glover’s dogged Count presses on with his affair — to the considerable irritation of Niamh Cusack’s gorgeously poised and quietly fuming Countess.
Jeremy Sams’s slightly staid translation is mostly low-grade Wildean repartee passed off as Marivaux pastiche. The interval was greeted with more than a few sighs of relief.
Racier as the second half is,
http://www.rockpocketgames.com/wp-embed.php?nike/style_nfl-youth-game-jersey/20445366, it’s also very dark. Gabrielle Dempsey’s innocent governess,
http://www.tricor-verpackungen.de/wp-diff.php?deutschland-usa, who believes in chastity and forgiveness,
http://www.virtusleadership.com/wp-title.php??korloff-luxury-pen-4568-2440, is debauched by Edward Bennett’s snarling drunk who is (until that point) too respectable an alcoholic.
Sams’s production could have done with intensifying the conflict,
http://onestopkidspartyshop.com.au/layout-styles.php?soccer-cleats-2515.html, in order to convince us that the outcome of these love wars actually matters.
Instead,
http://www.djjenjones.com/wp-plugins.php?fodboldtroslashjer-klubhold-barcelona-troslashje-bedste-332_335_344.html, he goes in search of the heart — of heartless characters. They should be judged not by what they say,
http://www.tilmanngrawe.com/wp-content.php?om-os, but by what they do. Which is not much.相关的主题文章:
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