3. I’m not really exaggerating. There are all sorts of plot lines and setups going on here, but that’s what everything comes down to: The world is terrible because we’re all feeding the wrong wolf. Now, I get this message in theory, and I don’t even disagree with it. But it curdles and sours in this case, because it’s so oppressive. This is a Disney movie about how humanity needs more Disney movies—that sort of vague, empty Disney wisdom where we stop obsessing over the complexity of the world and the legitimate darkness out there, and just all go out into the forest and sing. Have a Coke and smile! Tomorrowland’s “good cheer,” in many ways, comes down to nostalgia. All this talk about the 1964 World’s Fair (which I was not around for, but man, considering how often it’s used as the launching pad for American ingenuity and a wistful reminder of What We Once Were, it must have been amazing) and old-timey robots and NASA-driven laments that We Don’t Dream Anymore ... the whole thing feels, at times, like Baby Boomers shaking their fists at Those Kids Today. We were like this before. Why can’t we be again? Well, because you’re not freaking 12 anymore. The world’s tough sometimes. Take this movie, for example.
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